If
it was not for one of the most catchy 2/4 marches ever to have been composed
for the pipes then it is rather doubtful that Father John MacMillan of Barra,
styled Maighstir Iain Dhonnchaidh,
would be so well remembered. Duncan Johnstone, a famous piper and nephew of
Father John, himself told the tune’s background to Neil Angus MacDonald, a
fellow piper and schoolmaster from Eoligarry in Barra. Johnstone’s mother stayed
in Glasgow and her next door neighbour was Norman MacDonald from Broadford in
Skye, the piper who composed this well-known march. It so happened that
MacMillan was down in Glasgow visiting Duncan Johnstone’s mother and MacDonald,
who was a regular visitor, called in. MacDonald had just composed the tune and
played it for Father John who was so taken by it that MacDonald decided to name
the tune in his honour.
Born
at Craigston, in the northern part of Barra, in 1880, MacMillan was admitted to
Blairs College, near Aberdeen, in 1894 and spent the next five years there
training for the priesthood. From there he proceeded to Issy and St Sulpice and
was ordained by Bishop George Smith in the pro-Cathedral at Oban in 1903. After
a period as an assistant at Oban, he was appointed to the charge of Eigg and
the Small Isles, and later, in 1908, was appointed to Benbecula.
During the period of his missionary work in
that island the people regarded him with deep affection. He had a special
interest in every member of his flock. Always travelling on foot he visited
every family, and in later years the memory of his tall stately figure was
often recalled. It was there he had spent the most fruitful years of his life.
Following
the First World War, a great many families from the Southern Hebrides emigrated
to Canada on the Marloch in 1923 and were settled at Red Deer in the province
of Alberta. MacMillan volunteered to emigrate along with them and remained in
Canada for two years ministering to their spiritual needs. “There,” according
to Compton Mackenzie, “he had a great fight with the Canadian authorities, who
he felt had not kept their side of the bargain and were inflicting unnecessary
hardship upon the immigrants. In the end … they managed to get rid of a
‘turbulent’ priest.”
On
his return he was placed in charge of Ballachuilish, but after a few years he
was then appointed to Northbay, Barra, and later on, in 1926, to his native
Craigston, from which charge he retired through ill-health in 1943. MacMillan
was remembered for his congenial personality and his almost childlike
disposition:
His house was open to all visitors, and there
were many who came from near and far. Year after year the young and old, of
various creeds and callings, sought him in his island home. From him they
learned much. None ever left his presence without feeling in some measure the
benefit of converse with him. He had a keen sense of humour; his laughter was
infectious. Rarely or never was there a biting word.
At
the Mod in Inverness, MacMillan befriended the famous writer Sir Compton
Mackenzie (1883–1972), perhaps best remembered today for his novel Whisky Galore, subsequently made into a
critically acclaimed Ealing comedy. In 1933 Mackenzie moved to Barra and
eventually set up home at Suidheachan in Eoligarry just beside the airport on
Tràigh Mhòr. Over the years both men would enjoy each other’s company.
Mackenzie based the character of Fr James Macalister who appears in Keep the Home Guard Turning (1943) and Whisky Galore (1947) on MacMillan. The
Barra priest was very proud to have a fictionalised version of himself to
appear in print.
Of the many people who visited him one person
in particular was the folklorist Calum Maclean who took a lively interest in
the priest who was known for his store of oral traditions. In January 1947 Maclean
visited MacMillan then living in retirement in Allasdale and recorded a great
deal of songs from his recitation. On another occasion in the company of Séamus
Ennis (1919–1982), a renowned musicologist and expert uillean piper, Maclean
visited MacMillan who was greatly pleased by the virtuosity of the Irishman’s
performance. Maclean later recalled his visit to MacMillan in the following
words:
I did return again to Barra, for one rarely
fails to do that. I came at the request of Father John MacMillan … He is now
almost seventy, but he still sings well and is also a veritable mine of
traditional lore. It was a short visit, but in one day alone I recorded over
thirty songs from Father MacMillan. One was a very beautiful song addressed to
Prince Charlie, a song which tradition ascribes to Flora MacDonald. Many of
Father MacMillan’s songs are now known to him alone. He heard them in Barra,
Uist, Benbecula, and in Eigg over forty years ago from people who have longs
since returned slowly to dust. Barra has many people of whom it can feel justly
proud. Father John MacMillan is certainly one of them.
Due to his great interest in his
own native culture, MacMillan was not slow in lending his hand to support the
various organisations that were founded in order to stem the decline of the
Gaelic language and heritage:
He took a lively interest in all movements
organised for the preservation of Gaelic or of Gaelic lore. He was a bard of no
mean repute, and some of his compositions continue to be sung wherever Gaels
foregather the world over.
MacMillan composed a eulogy to Fr
William MacKenzie and perhaps his most famous song is Fàilte do Bharraigh (‘Welcome to Barra’). He also wrote Mo Shoraidh le Eige (My Farewell to Eigg)
and Seòlaidh Mise A-null gu Dùthaich
Chaomh Mo Rùin (‘I’ll Sail Over to the Country of My Love’), another song
in praise of Barra that was composed to mark his return from his sojourn in
Canada. The love for the island of his birth is perhaps best seen in a piece
that he composed during his autumnal years where MacMillan draws inspiration
from the scenery of Barra’s western coastline in sight of his last resting
place:
When I draw my very last breath
And throw off this mortal coil,
Gathered among those who are no longer
I will gain the far shore of virtues.
Finally
succumbing to a series of heart-attacks in 1951, MacMillan passed away in his
seventy-second year, and nearly fifty years of his priesthood. Such was the
affection and esteem that he held among the islanders that twelve hundred
mourners attended his funeral. They came from the neighbouring islands of
Eriskay, South Uist and Benbecula, and they took part in the procession led by
Neil Angus MacDonald and five other pipers which wended its way through the
townships of Craigston and Borve to St Brendan’s churchyard on the outer fringe
of the western shore of his native island where he was laid to rest beside his
‘spiritual father’ the Rev. William MacKenzie.
Compton
Mackenzie was much grieved by his passing and, though he could not attend the
funeral because of work commitments, he wrote a fitting inscription for his
dear friend:
Here rest all that is mortal of John
MacMillan who for many years was the parish priest of Craigston. He loved alike
the language of his forefathers and the conversation of his fellowmen. Out of
the abundance or his vitality he gave so much to life. Priest, poet, and
humanist, of all the sons of Barra none was better loved. He was born on May
11th 1880 and died on June 1st 1951. He lies at last where he wished to lie
beside the ocean, and may Almighty God grant him eternal peace.
Reference:
Calum
I. Maclean, ‘In Search of Folklore in the Western Isles’, Scotland’s S.M.T. Magazine, vol. 40, no. 6 (1947), pp. 40–44
Image:
Fr John MacMillan of Barra, c. 1940s
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